Painting, photography, and sound creation are for me three different ways of approaching light, matter, and time.

I work with glycerophthalic lacquers that I prepare by hand, using tools borrowed from construction rather than from fine arts.

In photography, I use a digital pinhole device I designed, and my sound practice combines analog synthesizers with contemporary digital tools.

What interests me are layers, transparencies, flows, slow transformations - everything that appears when time is allowed to act.

The work advances in chosen solitude, a space where forms can emerge without haste.

I look for porous images, for sounds that open an interior space.

It is not about telling stories, but about letting things come into being: sensitive, silent, sometimes almost celestial spaces where light and sound become materials to be traversed.