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Photography accompanies my early years: pinholes, black & white, figurative images.
An early yet foundational body of work, shaped by an attention to framing, points of tension, and the internal dynamics of the image.
These photographs form a base — a way of looking that has evolved over time.
Black & white is one of the first fields in which this way of looking takes shape.
I explore precise framing, lines of force, and internal tensions that structure the image and organize space.
These photographs establish a visual grammar that continues to inform my work.
Untitled
Ellis
These figurative images extend this way of looking toward the observation of the real. Landscapes, details, fragments of the everyday - each image is built around a composition attentive to light and lines of force. They reflect a way of grasping the world, between presence and distance.
Sluice Gate
Camera Obscura
Vessel
With pinhole photography, light becomes the primary material.
Without an optical device, the image forms slowly, in a process that is more atmospheric than descriptive.
These photographs open a more sensitive space, where framing, time, and light are recomposed differently.
Pauoa #2
In Da Bus
Dawn On Liliha
Bein' Green