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Interstice is the space where my images and my pictorial gestures shift, transform, and recompose themselves.
Since 2006, I have been exploring this threshold between photography and painting, while my return to painting from 2015 onward opened another dimension of this research: matter, glazes, pigments, and light.
My hybrid work unfolds through two complementary processes.
The first is digital: reworking pinhole or figurative photographs by inserting photographed fragments of my paintings.
The second is material: printing certain images on Dibond and intervening directly with lacquer, glazes, pure pigments, or resin.
Through these two approaches, the image moves beyond its original medium — neither photography nor painting, but an in‑between where time, matter, and light are reconfigured.
The works gathered here trace different moments of this ongoing research, from early hybridations to recent pictorial developments, including pieces created with the support of DRAC Normandie.
Early hybrids created in 2006, where photographic images begin to shift and transform.
Overlays, alterations, surface tensions - foundational experiments at the boundary between photography and materiality.
In Hawaii, two gestures evolve side by side: pinhole images and hybrids.
Light, water, surfaces, and landscapes become fields of experimentation.
Distempers, mortars, early lacquer experiments.
Materiality intensifies, surfaces gain depth — a pictorial language reshapes itself and leads toward the work of today.
Created with the support of DRAC Normandie, these works extend the principle of interstice toward another territory: the photographic image.
Based on large-format pinhole prints on Dibond, I intervene with lacquer to shift the surface, open the light, and unsettle the image.
These hybrid pieces stand between photography and painting — a space where materiality, light, and time are recomposed differently.
Panel, 2022
Pinhole photograph and lacquer on Dibond
150 x 93cm
Panel, 2022
Pinhole photograph and lacquer on Dibond
93 x 150cm
Panel, 2022
Pinhole photograph and lacquer on Dibond
93 x 150cm